hey-- where'd that bug one go? that was funny-- macro meets B-movie.
anyway, i LOVE this work. i was just in calgary and all the pricey oil wealth galleries there sell stuff that's exactly like this, except nowhere near as good (imho).
SOMEBODY's gotta make us all rich, so i vote macro. (ok, i'm just kidding--clearly it's up to renemaphone to take over the UN and create global equity, otherwise there's no hope.)
curfimw: the attaining of wealth and/or status through the acheivements of others.
Almost photorealism, so close enough to appease the mass, but painterly, like candy as Knackerson said, so even better.
I would argue that you sellOUT: Paint 10 of these, all large, then you have a show, and roughly 75K to show for it (assuming each can sell for an average of 15K, and after all applicable taxes and gallery leaching habits).
"Snow Thaw" Lawren Harris, 1919 The Canadian investment art market is stronger than ever, driven by a strong sense of Canadian identity. It is a Canada-wide market with major strength in the western provinces. In addition, many Canadians living in the U.S. are buying art works by established Canadian artists. While maintaining their strong Canadian identity, they find it to be a better value than American art, which is at times over-commercialized.
To give an idea of the size of this market, approximately $350- 400,000,000 is spent on Canadian art annually, and prices have now reached international levels. Works by many prominent Canadian artists of the last century, such as J.W. Morrice, other Canadian impressionists, the Group of Seven, and Canadian abstract expressionists, to name a few, have risen by 2000% in value over the past 30 years. For example, an A.Y. Jackson in a 2004 exhibition at Mayberry Fine Art, recently sold to a U.S. buyer for $420,000, up $400,000 in 30 years. Another painting at the same exhibition, by well-known Manitoba artist, William Kurelek, priced at $98,000 could have been purchased in 1974 (three years before the artist's death) for $1,000.
As for the "penny stock" investor, I advise buying smaller works by big names. Some Walter J. Phillips (1884-1963) colour woodcuts can still be purchased for under $2,000. If buying work by a living contemporary artist, consider career artists with national recognition who will leave a mark on the Canadian art identity. Artists who have achieved national acceptance, through commercial galleries, museums, universities and other public institutions make a good combination with the market place.
On the other hand, it is wise to avoid highly promoted manufactured art – flashy reproductions have no artistic originality or value. Such articles are often numbered and signed to make them more appealing to the market, this does not, generally, stand the test of time. These are the .com investments of the art world. When purchasing such items, consider it decoration not investment.
Tips for the Investor:
Be prepared to invest some of your time to become an informed buyer.
Seek the advice of an art professional who is involved in the investment market.
Stay focused on the art. The quality and value of an artwork must go beyond decorative appeal.
Buy with your head as well as your eyes.
Talk to your accountant: Did you know that original Canadian art can be purchased or leased and depreciated through your company as furnishings and fittings?
Buy wisely with your children and grandchildren in mind. Most investment art being sold today comes from people who have inherited it.
A Love for Art was a collaborative blog for visual artists, musicians, writers, and social scientists. This blog has evolved into a new blog called BETA, go check it out!
12 comments:
Well, so much for showing intermediate stages. :S
I'm done (Except an occaisional daub here and there).
So awesome, way to go.
Ups the bar from your last one.
Heh heh...
Gorgeous colour and texture.
WOW!
Wow micro, This is a serious painting.
looks like a candyscape, i wanna eat it.
I`d like to hang out there.
I love the tree line. the perspective too is fantastic.
Thanks people! Your praise makes me want to do more.
Eating oil paintings is VERY hazardous to your health
- Surgeon General
hey-- where'd that bug one go? that was funny-- macro meets B-movie.
anyway, i LOVE this work. i was just in calgary and all the pricey oil wealth galleries there sell stuff that's exactly like this, except nowhere near as good (imho).
SOMEBODY's gotta make us all rich, so i vote macro. (ok, i'm just kidding--clearly it's up to renemaphone to take over the UN and create global equity, otherwise there's no hope.)
curfimw: the attaining of wealth and/or status through the acheivements of others.
Seriously Micro, this is stunning.
Almost photorealism, so close enough to appease the mass, but painterly, like candy as Knackerson said, so even better.
I would argue that you sellOUT: Paint 10 of these, all large, then you have a show, and roughly 75K to show for it (assuming each can sell for an average of 15K, and after all applicable taxes and gallery leaching habits).
So what's the storyGlory?
Let's have it.
:)
ooooohhhhhwwwwoooooooo! wolf boy throws his feral head back and greets the moon.
again, if it matters, a wolf vs. dangerman conflation has occured here.
Fine Art as Investment
By Bill Mayberry
"Snow Thaw" Lawren Harris, 1919 The Canadian investment art market is stronger than ever, driven by a strong sense of Canadian identity. It is a Canada-wide market with major strength in the western provinces. In addition, many Canadians living in the U.S. are buying art works by established Canadian artists. While maintaining their strong Canadian identity, they find it to be a better value than American art, which is at times over-commercialized.
To give an idea of the size of this market, approximately $350- 400,000,000 is spent on Canadian art annually, and prices have now reached international levels. Works by many prominent Canadian artists of the last century, such as J.W. Morrice, other Canadian impressionists, the Group of Seven, and Canadian abstract expressionists, to name a few, have risen by 2000% in value over the past 30 years. For example, an A.Y. Jackson in a 2004 exhibition at Mayberry Fine Art, recently sold to a U.S. buyer for $420,000, up $400,000 in 30 years. Another painting at the same exhibition, by well-known Manitoba artist, William Kurelek, priced at $98,000 could have been purchased in 1974 (three years before the artist's death) for $1,000.
As for the "penny stock" investor, I advise buying smaller works by big names. Some Walter J. Phillips (1884-1963) colour woodcuts can still be purchased for under $2,000. If buying work by a living contemporary artist, consider career artists with national recognition who will leave a mark on the Canadian art identity. Artists who have achieved national acceptance, through commercial galleries, museums, universities and other public institutions make a good combination with the market place.
On the other hand, it is wise to avoid highly promoted manufactured art – flashy reproductions have no artistic originality or value. Such articles are often numbered and signed to make them more appealing to the market, this does not, generally, stand the test of time. These are the .com investments of the art world. When purchasing such items, consider it decoration not investment.
Tips for the Investor:
Be prepared to invest some of your time to become an informed buyer.
Seek the advice of an art professional who is involved in the investment market.
Stay focused on the art. The quality and value of an artwork must go beyond decorative appeal.
Buy with your head as well as your eyes.
Talk to your accountant: Did you know that original Canadian art can be purchased or leased and depreciated through your company as furnishings and fittings?
Buy wisely with your children and grandchildren in mind. Most investment art being sold today comes from people who have inherited it.
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